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LYNNE ASHLEY MCBRIDE
Edinburgh based performance and digital artist.

likeafieldmouse:

Thomas Brummett - The Infinities (of Earth and Heaven)

Artist’s statement:

I combined disparate elements such as mold grown in my studio, stars downloaded from robot cameras in space, snowflakes captured on a winter’s night, to magnolia trees blooming in spring. At the heart of these images are unique camera-less Light Projections which I devised for this project. This series is about my ideas of Infinity.”

If the doors of perception were cleansed every thing would appear to man as it is, Infinite. For man has closed himself up, till he sees all things through narrow chinks of his cavern.
—William Blake

likeafieldmouse:

Rosângela Rennó - Vulgo (Alias) (1998)

"These photographs originated from glass negatives in the Sao Paulo Penitentiary Archive, Brazil, which were identification photographs of prisoners, taken between 1920 and 1940.

Archives particularly interest Rennó because they are stored testimonies and traces of a past that is kept locked and forgotten most of the time, as are prisoners. 

Rennó’s photographs are recovered fragments from a decaying prison archive which highlights the gaps in memory and the history of those prisoners.”

pleoros:

Gerhard Richter - Greenland, 1972.

mathmajik:

Mysterious Mathematics - Foucault Pendulum

A Foucault pendulum is just like any other pendulum, nothing more than a weight attached to a wire; but to work well it needs to have a very long wire, with a really heavy weight. They’re often attached to the ceilings inside very tall buildings, such as museums and cathedrals, so that they can hang a great distance and swing impressively slowly. These sorts of locations also tend to have fairly constant temperatures, which avoids expansion and contraction of the pendulum which would cause complicated variations in its period.

What makes a Foucault pendulum different from a normal pendulum is that it is attached at the top to a universal joint which allows the pendulum to rotate freely around its fixing point as it swings. Once you set one in motion, its direction of swing will rotate at a rate of about 0.2 degrees every minute. But in fact, it isn’t really the pendulum that’s rotating: the pendulum is swinging back and forth in exactly the same direction. It’s the Earth which is rotating underneath the pendulum, which makes it appear that the pendulum is in fact changing direction.

At the North Pole, the pendulum would appear to rotate through a whole 360 degrees once a day, because the Earth rotates all the way round underneath it.

The rate of rotation of Foucault’s pendulum is pretty constant at any particular location, but in 1954, during an experiment with one, a physicist named Maurice Allais got a surprise. His experiment lasted for 30 days, and one of those days happened to be the day of a total solar eclipse. Instead of rotating at the usual rate, as it did for the other 29 days, his pendulum turned through an angle of 13.5 degrees within the space of just 14 minutes. This was particularly surprising as the experiment was conducted indoors, away from the sunlight, so there should have been no way the eclipse could affect it! But in 1959, when there was another eclipse, Allais saw exactly the same effect.

Many people have questioned his results: why should the eclipse affect a pendulum indoors in any way? Many subsequent experiments have taken place since, with mixed results: some experimenters have found no measurable effect, but slightly more have confirmed the result from several different locations, including an underground laboratory.

At the moment it is a true mystery: nobody has any real idea what the cause might be. Some suggestions have included gravitational waves, solar radiation, and the anisotropy of space (the fact that space is different in different directions). All of these physical phenomena are governed by highly complex mathematical models, and unravelling the mystery will take the combined efforts of mathematicians, physicists and astronomers the world over.

likeafieldmouse:

Josef Albers - Homage to the Square (1965)

likeafieldmouse:

Josef Albers - Homage to the Square (1965)

We either make ourselves miserable or we make ourselves strong. The amount of work is the same.
Carlos Castañeda  (via likeafieldmouse)

drawingof:

Cameron Robbins

(Source: cameronrobbins.com)

cross-connect:

Drawing Machine by Eske Rex.

Watch the video here.

(Source: unknowneditors, via cross-connect)

prostheticknowledge:

All Lovely Stuff - DRAWING MACHINE 

London design brand creates cheap creative drawing machine with simple materials - video demonstration below:

A do-it-yourself way to make art! An oak cotton reel, peg, felt tip pen, rubber band and a small bit of wax is all that’s required to create this drawing machine that will inspire the Picasso in anyone. All materials are included in this self-assembly kit.

Obviously too late for Christmas, but more info to buy one can be found here

http://www.millersville.edu/physics/experiments/084/index.php

Wolfram Demonstrations Project

https://www.youtube.com/embed/GOo5uq2fH6g?rel=0

ADA > KARINA SMIGLA-BOBINSKI

Olafur Eliasson creates a kinetic artwork for Doug Aitken's Station to Station project | Art | Wallpaper* Magazine